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But every once in a while there is one like “Prey” that is so good, so full of imagination and excitement, that it’s impossible to write off the exercise of the Hollywood reboot as totally unworthy. Yes, most reboots are generally terrible cynical and devoid of original ideas. “Hellraiser” is streaming on Hulu on Oct.
The result feels like a welcome addition to the franchise and hopefully the start of an entirely new, blood-soaked saga. (This time the character is played by the great Jamie Clayton from the Wachowskis’ “Sense8.”) Directed by David Bruckner and written by his “Night House” collaborators Ben Collins and Luke Piotrowski, this new “Hellraiser” follows the themes laid out by Barker (addiction, pain, trauma from the past) while contemporizing the setting. And of course, Pinhead, the interdimensional ghoul with an addiction to pain, lords over all of it. The puzzle box is there, as are the Cenobites (some are new, some are familiar). Instead of a straight remake of the 1987 original (which spawned more than a half-dozen follow-ups of varying quality), “Hellraiser” is a new story set within the world Barker established. Finally, a new entry in the beloved horror franchise is here. Various studios have attempted a “Hellraiser” remake since at least 2006, both with and without the blessing or involvement of original director (and author) Clive Barker. “Orphan: First Kill” is streaming on Paramount+. (Honestly, I prefer this to the similarly gonzo “Malignant.”) Released so inauspiciously that it was easy to miss, if you haven’t seen “Orphan: First Kill,” it’s essential Halloween viewing.
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But there’s a twist a little before the halfway mark that is so bonkers that it sends the entire movie veering wildly off-course and turns the movie into a new, utterly outrageous outré horror classic. For a while “Orphan: First Kill” hums along as you’d imagine.
Now, more than a decade later and in partnership with a new studio (Paramount), the prequel is finally here. The original “Orphan,” produced by Leonardo DiCaprio and directed by future Hollywood heavyweight Jaume Collet-Serra, was released by Warner Bros. “Doctor Strange in the Multiverse of Madness” is streaming on Disney+.
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It’s a moment so ludicrous, so absurd, so wonderfully fun that it could have only come from the cracked genius of Sam Raimi. Once reincarnated, this zombified version of the beloved Sorcerer Supreme wrangles a new cape made of demonic souls. Under the watchful eye of genre legend Sam Raimi, the MCU sequel did deliver some of the year’s most unforgettably creepy imagery – flying eyeballs, candlelit seances, witches crawling through mirrors, a fight scene where musical notes are thrown like daggers and, best of all, a moment when Doctor Strange (Benedict Cumberbatch) has to possess his own dead body. Marketed as Marvel Studios’ first scary movie, which wasn’t entirely true (see below), “Doctor Strange in the Multiverse of Madness” was still enjoyable nonetheless. “Doctor Strange in the Multiverse of Madness” Marvel Studios Still, this new “Scream” left an impression there’ll be a sixth entry coming next year. It’s a fun ride, with some clever twists, but it also made you miss the visual flourishes Craven brought to the originals. But the filmmaking team of Radio Silence clearly adore the franchise and utilize the legacy characters (played by Neve Campbell, Courteney Cox and David Arquette) well, nimbly mixing them into a narrative full of new, young characters (played by Melissa Barrera, Jenna Ortega and Jack Quaid, among others) that are being targeted by a fresh Ghostface. It’s true that without Craven, this new “Scream” (reportedly titled, at one point, “Scream Forever”) does feel a little listless. 10 years after Wes Craven’s underwhelming “Scream 4” (a film that would ultimately be Craven’s last), the iconic slasher franchise returned.
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